
The geishas glide with measured steps across a wooden stage, offering a glimpse of a long-misunderstood tradition that is becoming a rare sight in Japan.
Dancing with paper fans and dressed in kimonos, the entertainers were rehearsing without the striking white make-up and sculpted hairstyles they are famous for.
But for seven days from Wednesday the women will perform in full splendour at the 100-year-old Azuma Odori festival at a theatre in the heart of the Japanese capital.
The geishas glide with measured steps across a wooden stage, offering a glimpse of a long-misunderstood tradition that is becoming a rare sight in Japan.
Dancing with paper fans and dressed in kimonos, the entertainers were rehearsing without the striking white make-up and sculpted hairstyles they are famous for.
But for seven days from Wednesday the women will perform in full splendour at the 100-year-old Azuma Odori festival at a theatre in the heart of the Japanese capital.
In Kyoto, where they are called geikos, "dance is seen as the most important artform," Iwashita said.
Tokyo geishas meanwhile are known for their singing and talents on the shamisen, which resembles a slim three-stringed guitar.
This year for the first time ever, geishas from 19 Japanese regions are participating in the annual Azuma Odori, as well as those from Tokyo's Shinbashi district who usually perform.
Around 180 geishas will take part overall, taking to the stage in small groups for two shows each day.
Koiku, a Shinbashi geisha, said her job first and foremost involves "welcoming and entertaining visitors at traditional restaurants called ryotei".
Entry to these expensive, exclusive establishments, found in historic geisha districts known as hanamachi, is by invitation only.
- 10 year's training -
Today around 40 geishas work in Shinbashi -- many fewer than in times gone by -- and all of them will appear at the Azuma Odori.
"Not so long ago, there were 100 of us, then 60... and the number keeps going down," Koiku said.
Life as a geisha is tough, with a strict practice schedule even for established performers.
"In general, it takes 10 years to be seen as competent," said Koiku, who was enticed by her love of music and dance.
Entry to these expensive, exclusive establishments, found in historic geisha districts known as hanamachi, is by invitation only.
Life as a geisha is tough, with a strict practice schedule even for established performers.
"In general, it takes 10 years to be seen as competent," said Koiku, who was enticed by her love of music and dance.
He thinks the main reason for the falling number of geishas in Japan is simply that they have fewer clients.
While geishas once made a living from Japan's wealthy elite, in 1993 then-prime minister Morihiro Hosokawa called for an end to government banquets in ryotei restaurants.
That was a "tough blow for the industry", Iwashita said.
Koiku agrees that the "world has changed" -- including the type of socialising where business deals are sought.
"Nowadays, companies are increasingly organising receptions in their offices or other venues," she said.
Shinbashi Enbujo Theatre, where Azuma Odori will take place, was inaugurated in 1925 with the festival's first edition.
It was rebuilt in 1948 after being destroyed in World War II, and its lavish post-war performances influenced Japanese kabuki theatre before being simplified to audience tastes.
With the future of the geisha profession uncertain, for Iwashita, "the fact that such a theatre still exists, and that it is the 100th anniversary (of Azuma Odori) is nothing short of a miracle".
-AFP
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